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Former issues

One world, several worlds – introduction to the issue of “Third Wold”

1994 October 1. sz szilu84

Related Articles

  1. About the Kádár-regime without Kádár himself – Introduction to the core theme of this issue
  2. The Work of Sartre: Introduction (1979), Introduction (2012)
  3. The Wold Class Struggle: The Geography of Protest

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Previous PostSome spohisticated methords to create subordinated labour forceNext PostNo. 24 | (Winter 1994)

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Társadalomkritikai és kulturális folyóirat // A quarterly journal for social critique and culture

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The birth and death of the West European type welfare state

Zimmermann's basic approach is that the welfare state was not born out of charity but because its emergence was advantageous for capital. As soon as the benefits for capital ceased to exist, the elimination of the welfare state also began. She gives a detailed analysis of the trends that have led to the crisis of … Continue reading The birth and death of the West European type welfare state →

The US and Europe since 1945 till ptresent

The author analyses the relationship between the US fears of European integration and the foreign policy of the US. He points out that the US aspirations have deadlocked in virtually every sense. Europe, on the other hand, as the great question mark of universal geopolitics, could become the alternative for a more multicoloured world. Related … Continue reading The US and Europe since 1945 till ptresent →

On the book by Anthony Beevor: The Downfall, 1945

Anthony Beevor: Berlin: The Downfall, 1945. Penguin Books, London, 2003. Related Articles The memory of war in Western Europe, 1939-1945

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Recent Posts

  • In Memoriam Győző Lugosi (1952-2021)
  • István Mészáros: Reflections on the New International
  • Collective farms in the grip of the state
  • The Holocaust in the area of the Western Group of Occupation Forces. Account of the Solicitor Division of the State Protection Authority in the case of Nándor Pápai, 12th of January, 1950.
  • The early period of the Hungarian folk-dance movement – social ideology or national art?

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