The American state cannot tolerate any political alternative even if it emerges on the symbolic field. However, street events were retaliated almost similarly what we had seen concerning the Arab Spring. The hysteria against rising alternatives and the brutal state repression probably have shaken the image of "the freest country" thus Occupy maybe started something. It is hard to tell what might develop from it but something has actually changed.

Composers and musicians – who are also hierarchical leaders on their own way, since the concert hall follows the model of Darwinian competition – are at the mercy of the political and business elite. Bankers, politicians and businessman finance culture not exactly benevolent and free from their own interests. So, although composers did appear in the Occupy movement and their anti-capitalistic commitment cannot be questioned but their performance and role still contradictory.

The first part of this work has already shown that our passions are not the tools for survival. In this part, it will be made clear that a person consequently pursuing freedom can match passions to the great questions of existence in an organic

We are living in a chaotic situation. Due to the structural crisis of the capitalist world economy, standard solutions for managing a shrinking economy do not work anymore, despite that politicians and experts keep assuring that the recovery is just around the corner. Fluctuations in everything are large and rapid and this applies as well to social protest. This is what we are seeing as the geography of protest constantly shifts.