The text tries to separate and draft the three types of the approaches to our world. It analyses the most fundamental differences of these in the fields of ecology, the question of poverty, the participative politics and pedagogy.

This interview was published in the USA in 2002, and this is the first Hungarian publication; after the death of Jancsó it flashes light on some basic characteristics of his personality and directorial credo. The informal intonation was also an organic part of his personality.

The death of Miklós Jancsó provides a tragic apropos to evaluate the universal implication of the oeuvre of the great leftist director, who was always critical towards the world of capitalism. The Polish author comparatively analyses two movies of Wajda and two movies of Jancsó to conceptualize gripping aesthetical conclusions that introduces the two great directors into the context of both national and universal movie culture.